As part of the team at B-Reel I worked on this mixed-reality mobile experience for the launch of the Gorillaz album 'Humanz'.

The App features an unique blend of real world, AR, VR and 360 environments. Allowing fans to immerse themselves in the world of the Gorillaz. 

I worked on 2D animation of characters and objects. Retouch and integration of 360 environments as well as editing of promotional content.

This App received 1 Gold and 2 Silver lions at the Cannes festival.   

Kuafu is an interactive story based on the Chinese myth with the same name. It is the powerful story of a giant that one day decides to catch the sun and inevitably, fails to do so.

I helped my very talented friends at lin.bert to model, rig and animate the Kuafu giant for this experimental VR project.

It required a lot of data export and texture map experimentation to get Kuafu to come alive in his Virtual Reality.

As part of the Stink Studios team I worked on this interactive Google experience that showcases Abbey Road’s incredible history.

I was responsible for User Interface and Gadget animation. Integrated video loops, microphone animation and content editing.

View the site here: 
https://insideabbeyroad.withgoogle.com/en

Based on my ink drawings I designed this album cover for my brother's self titled debut album.

Listen here: 
https://open.spotify.com/album/0DFl5BEB0fO1o0mTEUlIjg

A series of all in crazy TV bumpers created at B-Reel for Nickelodeon's kids music channel Nickmusic.

While working at Stink Studios I animated and was part of the creative team behind this 'Real-Time ads' campaign for Twitter.

The campaign was showcased on digital billboards all over the UK as well as on digital platforms such as Youtube and Spotify.

Each morning all copy was updated with the latest trending topics on Twitter.

John Frieda - Shades of Me is a mobile-first campaign that let's users create their own personalised film.

By selecting their hair colour and granting permission to their Instagram or Facebook photos, users are immediately served a highly personal film, and a collection of corresponding John Frieda products.

I was part of the Stink Studios creative team and responsible for editing, grading and animating the personalised films.

While working at Stink Studios I created this case study for Google cultural institute. Explaining their Interactive Performing Arts experience.

I edited and animated this personalised film for Nike Woman's Race.
Each film brought to life every runner’s experience from start to finish - packed with personalised data to celebrate their 10K achievement.

The race took place in 6 European cities, Amsterdam, Milan, Paris, London, Berlin and Stockholm, and each location had it's own animated city scape.

Personalised footage from each race were also edited and graded onsite at every location.

This project was made at Stink Studios.
 

Food Rescue is an app that helps people save food that otherwise might have been wasted.

We created this film to help explain the app. Animated by me and illustrated by my friend Bertrand Carrara.

This project was made at B-Reel.

We start out in the year of Ray-Ban's birth, 1937 and chronologically progress up the street to today. Characters, costumes, street furniture and photo treatments progressively evolve throughout the decades and takes the user on an immersive journey in time. 

To create this fictitious street we started out with a tremendous library of photos taken in New York. Followed by a two day shoot of all of the characters, with a great level of attention to detail to be true to the style of each decade. We recreated stores, shop windows and street signs and added time-specific street furniture, cars and characters.

After some intense weeks of cutting out, retouching and putting together hundreds of elements, we ended up with a street almost 50,000 pixels long, that spans over 8 decades.

My Role: Part of the creative team, design, motion design and retouch.
Made at B-Reel.
 

Guardian Labs set up a series of conversations to showcase the passion and brilliance of SEAT’s top thinkers.
For episode one, Christoph Wäller met with extreme skydiver, Felix Baumgartner.

As part of the Stink Studios team I animated the visual representation of the conversation and worked closely with developers to transfer the animation into code.

The 2015 John Lewis Christmas campaign tells the story of a magical connection between a little girl, and a Man who lives on the Moon.

As part of the campaign Stink Studios created an app that uses augmented reality to bring the moon to life. By pointing your phone at the Man on the Moon image on John Lewis packaging and shopping bags, users can unlock a 3D interactive moon that releases daily facts and animations in the countdown to Christmas Day’s full moon.

I was part of the creative team at Stink Studios and were responsible for 2D and 3D animations for both the App and In-store display. 

Style frames made for an abc-Networks rebrand pitch at Loyalkaspar NYC.

Every year Samsung hosts a space at Milan Design Week. 
For their 2014 exhibit B-Reel were invited to create an installation. "Flows: Journey to the Future" which celebrates the brand's dedication to design and innovation.

We envisaged an exposed structure intertwining Samsung products with light, digital content and sound to represent a journey from the present into an artistic presentation of the unwritten future. 

The installation comprises three main sections:

Deconstruction
Five products from Samsung's home appliances range are deconstructed, revealing the hidden design within familiar objects.

Evolution
The various elements become a motion piece displayed across multiple screens.
This represents the progression of technology and ideas, and how we combine these to create the solutions for tomorrow.

Future
This is the culmination of the installation and works as an expression of Samsung's ability to challenge limitations. 
Visitors are invited to interact with the stream of particles and shape the streams with their hands using Leap Motion controllers. 

My Role: Part of the creative team & motion design.

The McLaren P1 is a concept car from the British company and has been strictly limited to only 375 units.

The aim of the campaign was to tell the story of the inception of this supercar - the most aerodynamic car in the world - from its genesis through the process of being formed by air.

The film we created showcases a number of key components of the car while being sculpted by air streams. 
The material of these components starts life as light streaks, it then gains mass and evolves into metal, rock and finally carbon fibre.

Final car renders at the end were created by Burrows CGI.
My role: Motion lead at B-Reel.